My specialism is a cutting technique. It is the most traditional method, primarily used during the early Joseon Dynasty in the 15th century, but it is rarely used now because it is not suitable for mass production and is time-consuming. I cut the mother-of-pearl to a size of less than 1mm, then use a knife to shape and assemble the pieces to form intricate patterns.
Hwang Sam-yong began working with mother-of-pearl at 17 years old, learning the craft from his older brother, who was already an artisan. His path was fraught with challenges, including the loss of all his works in two devastating fires, an experience that nearly led him to abandon his craft. After the second fire, Hwang withdrew to the mountains for six months to reflect. During this time, his wife encouraged him to reopen his workshop, understanding that his work was the source of his greatest fulfillment. With her support, Samyong resumed his craft. His international recognition grew when Damien Hirst purchased several of his sculptures in 2015 and 2017. Today, Samyong's works are featured in prominent institutions, including the Asian Art Museum in San Francisco and the Philadelphia Museum of Art.